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How FX Become One of the Best Networks on TV

A few years ago, FX was, to me, just the network that It’s Always Sunny In Philadelphia was on.  It didn’t have as many original series as it does now, and with the exception of  Sunny, I didn’t really like any of the shows they did have (and I flat out despised Nip/Tuck). So, really, FX was just the channel that aired Sunny.

Well, they did have pretty great syndication, which was better than it is now.  They aired Buffy reruns (and this was before the show was in syndication on about a bajillion cable channels), which I always watched, despite the fact that I had (and still have) the complete series on DVD. They also aired The X-Files, which was amazing and incredible. Nowadays, with the exception of Chiller, I believe, no cable network I’m aware of shows regular episodes of the show. And I don’t get Chiller. Which makes me a sad Panda.

The Shield

The year before Nip/Tuck premiered, FX really changed the way they did things with The Shield, which was their first major original series. I didn’t watch the first few seasons when they were on, but eventually I started watching and I caught up. I don’t adore The Shield like I do so many shows I watch, but it is a good show, a solid cop drama with some really great and well developed characters.  So The Shield led the way for FX to become magnificent.

But even with it going in the right direction, I wouldn’t have called it a great network, or even a good one. In the early years of their original program, they put out a few shows I really didn’t like. I really just hate Nip/Tuck, I don’t really like Rescue Me.

It’s Always Sunny In Philadelphia really was the start for me, but it was a slow start for FX. Sunny is, I really believe, completely brilliant. One of the funniest shows of all time. It doesn’t give a shit about being PC, it’s completely irreverent, and the absurd and sometimes intentionally mean spirited humor is perfect and hilarious.

The Riches

In 2007, FX started to really build beyond that amazing comedy with two new shows, The Riches and Damages. They also debuted Dirt, a drama starring Courtney Cox, but that show was really, really terrible. Between the two good shows, I did love The Riches more. It combined some really tense storytelling with a strong sense of humor and, most importantly, an incredibly written family dynamic. Sadly, the show only last two seasons. The show’s cancellation could have been a sign that the network would never reach greatness.

But they still had Damages.

I think Damages is the point where it started to be an amazing network, rather than just a good one.

Damages is one of the most intense things on television, and it’s brilliantly acted. From there on, I think FX just kept getting better and better, quickly.

Right now, a few of my very favorite shows are on the network.

Right now, Terriers is in-season, and it’s a really good show. If  a show is about private detectives, I’m probably going


to watch it, and Terriers is such a good show. I’m so happy to see Donal Logue in a series like this. He is a funny guy, but it’s great to see him in a dramatic series where he can show what a great actor he really is. It also stars Michael Raymond-James, who proves what a really good actor he is. I had only seen him in True Blood, where he played SPOILER ALERT…………………………………..the murderer…………………………………………….. So I was worried about how I’d feel about him in this show. But he makes Britt the most lovable, sympathetic guy. This show is really good, folks, and you should be watching it.

I don’t watch Sons of Anarchy, but apparently, it’s amazing. It’s received some amazing critical notice, so I thought it should be mentioned in n article about how well FX is doing.

My current favorite show is actually on FX. That show is Justfied, and it’s absolutely amazing. I think Raylan Givens is the role Timothy Olyphant was born to play. He’s such a complex, fascinating character and Olyphant is so


unbelievably perfect. The rest of the cast is really, really amazing, too. Especially Walton Goggins, who plays Raylan’s BFF/antagonist. The show is an exploration of good vs. evil and the gray in between, while finding time to explore the relationships between fathers and sons, friends, lovers. It’s just such an awesome show. The second season starts in February. Watch it.

It’s Always Sunny In Philadelphia is amazing, and it’s still great, but comedy was something FX has kind of had a problem with.  Last season their follow up to Sunny was the terrible Testees which was crude and disgusting, which would have been okay, had the show been remotely funny. Thankfully they seem to have started getting it right. Last year they debuted Archer, which is an incredibly hilarious and pretty filthy cartoon for adults. Its new season starts in January. The League follows Sunny on Thursday nights, and it a solid comedy with a really strong ensemble cast that has great chemistry. And they’ve picked up a comedy starring Elijah Wood, Wilfred, about a man and a dog, a dog who looks like a normal dog to everyone else, but who appears as a man in a dog costume to Wood’s character.

So, yeah, FX is awesome. And I hope they keep it up. A new drama series, Lights Out, looks pretty good. It’s a show about boxing and, well…… boxing is kind of one of my weaknesses. I hope it’s good.


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The Best of the 2009-2010 Television Season: The Performances

Naturally, I couldn’t list every performance I loved from this season. This article would be a hundred pages long if I did that. So I cut it down to my very favorites.

Walton Goggins as Boyd Crowder, Justified

Boyd Crowder was supposed to be a one-off character, meant to die at the end of the first episode. But Walton Goggins did such masterful work making his genius racist criminal so engaging and charismatic that test audiences wanted to see more, and Boyd was kept alive. Boyd became the main antagonist of the season, though not quite the villain. After his near death, he claimed to have “seen the light”, starting a church and vowing to clean Harlan of meth. But throughout the entire season, we’re never really sure if Boyd’s conversion is genuine or not. But either way, Goggins managed to make Boyd both sympathetic and compelling. At the end of the season, we discover that his conversion was genuine, but the things that happen to him reveal this are so heartbreaking we almost wish that it wasn’t. I can’t wait to see what happens with Boyd next season. With his father dead, the entire Harlan crime empire could be his for the taking.

The cast of Community

It really would be wrong to single out one or two actors from Community. While they all give excellent performances that are worthy of individual recognition, the show is as wonderful as it is because of the chemistry between the actors and how well they work as a group. Joel McHale, Gillian Jacobs, Chevy Chase, Alison Brie, Danny Pudi, Donald Glover, and Yvette Nicole Brown create brilliant group dynamic, and the show is funnier for them being able to play off of each other. Each character is wonderfully drawn as their own person, with their own consistent habits and quirks, but it’s the way those habits and quirks clash and interact that makes the show so funny.

Deborah Ann Woll as Jessica Hamby, True Blood

True Blood has a large cast, and for the most part the show is really well acted. But in season two the real stand out was Deborah Ann Woll as the newborn vampire Jessica.  There was something surprisingly human about Jessica adjusting to living as a vampire. It’s a double edged sword for Jessica. She loves the power and the strength, but misses her family, and with Bill taking care of her, she feels almost as trapped as she did back home with her firmly religious family. It’s also adorable and kind of heartbreaking watching her fall in love for the first time, having to deal with these new feelings not just as a 17 year old girl, but also as a vampire. Woll is wonderful in the role, hilarious as the bratty teen, menacing as the vampire who can’t yet control her impulses, and heartbreaking as the young woman who has no idea who she is.

Jordana Spiro as PJ Franklin, My Boys

My Boys isn’t a well loved show. Which is sad, because it’s really, really funny. It has a great cast, but the best of the cast is the show’s lady, Jordana Spiro. I can say this as someone as a girl who grew up with mostly guy friends – television hasn’t done the best job at capturing the girl whose friends are all men. They so often fall into the stereotype of tomboy, or they’re trying desperately to prove themselves as a girl. Jordana Spiro gives PJ a beautiful middle ground – she’s a tomboy all right, who can spout sports stats like a second language, but that’s combined with her struggle to assert some kind of femininity, even when she has no idea how to do that. She also gives PJ a special, unique relationship with each of her boys, making the group dynamic feel so completely honest.

The cast of It’s Always Sunny In Philadelphia

You probably won’t find five people on television more horrible than Mac, Dennis, Charlie, Frank, and Sweet Dee. But there’s something so lovable about that horribleness, thanks to its talented cast. They’re awesome on their own, but they’re at their best when they all end up together, scheming and hating each other just a little bit and trying so hard to be cooler than they are. No other cast makes being pathetic so funny.

Matthew Fox as Jack Shepherd, Lost

Matthew Fox has done solid work on Lost for six seasons, but since the end of season three, his work has been flat out stellar, and in the show’s final season, he did his best work. After so many seasons of denying his destiny, Jack became a man of faith, a man who comes to embrace that destiny, if for no other reason than the idea of that destiny is the only thing he has left. It was almost cathartic to see Jack finally find and accept his purpose, and the show’s final moment was both heartbreaking and uplifting because of it.

Timothy Olyphant as Raylan Givens, Justified

Natalie Zea’s character Winona said it best in the show’s series premiere – “You do a good job of hiding it, and I suppose most folks don’t see it, but honestly… you’re the angriest man I have ever known.” Raylan Givens is a quiet cowboy, a man with a strong sense of decency and what’s right. But lurking beneath all that is a layer of anger – an anger that, as the season goes on, we come to find out mostly comes from his upbringing – that he tries to stifle. It frequently comes out, but that’s usually in the line of duty and can be explained away as doing his job (he does seem to shoot people an awful lot). The balance between the two sides of Raylan, and especially the quiet anger just simmering beneath, might be completely misinterpreted and misplayed by anyone but Olyphant, who manages to not just portray those aspects of Raylan beautifully, but who also manages to make him so damn charming while doing it.

Michael Sheen as Wesley Snipes, 30 Rock

This year’s biggest Emmy injustice is Michael Sheen being totally snubbed for his work as Liz Lemmon’s love interest/nemesis on this season of 30 Rock. Overall, the season was really uneven. But Sheen’s storyline and performance managed to make the it worth something. This completely baffling man (“Popcorn? At the cinema?”) who is basically the polar opposite of Liz Lemmon being pared with her, and her HATING it, was so brilliant. It was so amazing, in fact, that the season finale kind of sucked because they shucked it. The idea of Liz ending up with this guy is jut so this show, so the fact that she found someone else is just disappointing.

Lea Michele as Rachel Berry, Glee

Those of us familiar with the popular and brilliant musical Spring Awakening were already familiar with Lea Michele before Glee made her a huge star. We knew she was talented, but I don’t think most people realized what a gift she had with comedy. Some have said she’s so good at the role because Michele basically is Rachel, but there’s an absurdity to the character, certain lines and body movements, that don’t come just from being like a character, they come from a very special and natural sense of comedic timing.

John Noble as Walter Bishop, Fringe

Fringe is getting a lot more recognition than it did in its first season. However, it’s mostly for its crazy sci-fi-ness and nutso storyline. But the very best part of the show is John Nobel and his performance as Dr. Walter Bishop, the insane genius who’s just barely hanging on to the sanity he has by a thread (a thread that looks suspiciously like his son, Peter). The second season gave Walter more reason to be emotional, not just nuts, and Noble more than rose to the occasion, being both hilarious in his crazy moments, and completely heartbreaking. I don’t think any actor on television has managed to be more expressive with their face, and the look in Walter’s eyes, the feeling that haunts him, it all Noble.

Jackie Earl Haley as Guerrero, Human Target

Yeah, the whole cast of Human Target is awesome. Mark Valley is jut flat out charming, and Chi McBride is funny as always. But Jackie Earl Haley steals the show. He’s just so charismatic as Guerrero. He has the loosest morals, is the least friendly of the team, and yet he’s the one you constantly want to see more of. Haley plays to role with so much nonchalance that it’s almost a situation of wanting what you can’t have. But we did get a few moments to look into Guerrero’s life and emotions, and Haley play the moments so well, doing just enough to let the viewer know he’s affected, but not overreacting and chewing the scenery.

The Braverman Siblings, Parenthood

I am a sucker for sibling relationships, so Parenthood is kind of like catnip to me. And while Craig T. Nelson and Bonnie Bedelia are excellent, the strength of the show lies in the four actors playing their children – Peter Krause, Lauren Graham, Dax Shepherd, and Erica Christensen – that make the show as good as it is. And there wasn’t even an adjustment period to get used to these actors together. They just clicked automatically, and jumping right into the action, we get the sense that these four people have an entire lifetime of history between them.

Nick Offerman as Ron Swanson, Parks and Recreation

There’s a moment in the episode of before the season finale where anti-government government employess Ron Swanson is told that the government of Pawnee is about to be shut down. A look of complete glee crosses his face. The simple moment, just a quirk of the lip and a brightening of the eyes, was one of the funniest moments of the series, and that’s thanks to Offerman’s performance. Ron Swanson is a quiet, serious man, who tends to find himself in ridiculous situations, like refusing to seek treatment for a hernia. But throughout the show’s second season we’ve gotten a chance to see Ron Swanson’s soft side, both in his growing soft spot for Leslie (it’s gotten to the point where he’ll do just about anything for her) and in his mentor role to Aubrey Plaza’s April.

January Jones as Betty Draper, Mad Men

When Mad Men first started, I had huge problems with Betty. She seemed whiney. She wasn’t a very good mother. But all those things I disliked about her grew into this fascinatingly complex character, a woman who feels stifled but doesn’t understand why, a wife who finally decides it time to stand up for herself. Like all the characters on the show, some of Betty’s actions are infuriatingly frustrating, but Jones is able to so quietly and subtly show us the reasons behind her character’s actions, and she always reminds us of how truly confused Betty really is.

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The Best of the 2009-2010 Television Season – The Shows

Emmy nominations are out this week, which means its time for the final wrap-up of the television season. I’m doing mine in several parts. This one is the shows. I watch A LOT of shows. I don’t think all of them are good. And of the ones I think are good, I don’t think they’re all great. So I’ve singled out the 11 shows I do think are great.

11. Archer

FX keeps putting out good television, but with the exception of It’s Always Sunny In Philadelphia, it hasn’t had the best luck with comedy (Testees was embarassingly bad). Thankfully, this season they put out the filthy animated comedy Archer. This one’s not for kids, folks. It’s raunchy humor and spy antics blend together so perfectly. And its stellar voice cast (including Jessica Walter, H. Jon Benjamin, Aisha Tyler, Chris Parnell, and Judy Greer) are all flat out perfect. Running jokes and serialized storytelling make regular viewing a treat.
Best Episode Skytanic
It doesn’t really do anything better than any other episode. The narrative picks up a little as the relationship between Cyril and Lana starts to become troubled,  but other than that, it’s not unlike every other episode. Except for the fact that it’s HYSTERICAL. From Archer’s inability to understand the way the zeppelin works, to the constant Hindenberg references, and so on, it’s the funniest episode of the series. “Yay metaphor!”

10. Parks and Recreation

Parks and Rec had a really rough first season. So rough that I wasn’t actually interested in watching the second season. But I did, for lack of anything better to do. I’m glad I did, because the improvement was huge, and Parks and Rec quickly became one of the funniest shows on television. It comes from the same idea of The Office, but its heart is much bigger and it lacks the snarky cynicism. It’s a show about dreams, no matter how great or small, and about friendship. Even its douchiest characters (I’m looking at you, Tom Haverford) are lovable and have their moments of sweetness.
Best Episode: Telethon
I’m not sure why I feel this episode is the best of the season, but I didn’t even have to think about my choice. It’s just a great episode. There’s Ron/Leslie goodness, Amy Poehler gets to let loose and be really funny the more tired and then hopped up on sugar she gets, and the relationship between Anne and Mark crumbles (come on, you can’t tell me I’m the only one who hates this pairing)

09. It’s Always Sunny In Philadelphia

It’s Always Sunny In Philadelphia is one of the most absurd, ridiculous, and un-PC shows on television. And that’s a good thing. A very, very, very good thing. The comedy faltered a bit in its fourth season, not quite as gut bustingly hilarious as its first three seasons, tending more toward the “everybody yelling at each other at loud volumes” type of comedy over the seemingly stupid but actually quite clever satire it had perfected through seasons one, two, and three. Thankfully the gang returned to form in their fifth season (and I seriously can’t believe it’s been on for five years), trading their constant yelling for dysfunctional team scheming. From Kitten Mittens, to Birds of Prey, to the DENNIS system (that’s Demonstrate your value, Engage physically, Nurturing Dependence, Neglect Emotionally, Inspire hope, Separate entirely), the season was back to its ludicrous brilliance.
Best Episode: The Gang Gives Frank an Intervention
It starts out with a brilliant concept, the gang drinking wine out of Coke cans, and snowballs into pure hilarity from there. The gang giving Frank an intervention while drunk is one of the funniest and most horrible things the gang has ever done.

08. Glee

The season’s biggest sensation is pretty damn good, despite the annoying fangirls who inevitably make any show that could be remotely appealing to teens look completely unappealing to the rest of the world. It’s not perfect. Both it’s first thirteen episodes and the back nine had their problems (Teri and her fake pregnancy in the first thirteen, lack of cohesion and Quinn’s magically disappearing baby bump in the back nine, not to mention the character assisination of Jesse St. James), but in the end it’s still something of a small miracle: a television musical that’s actually good (suck it, Cop Rock), managing to be both hysterically funny and completely heartbreaking in the same hour-long time slot. And not only does in manage drama and comedy, but week after week it produces amazing musical numbers with the most talented young cast on television.
Best Episode: Bad Reputation
In the last episode before the actually continuity of relationships between characters started to get fuzzy, Bad Reputation produced two of the show’s very best numbers, Total Eclipse of the Heart and Run, Joey, Run. There was something for all three Rachel-shipper groups (Rachel/Finn, Rachel/Puck, Rachel/Jesse). And, best of all, we got a glimpse into the heart of softening mean girl Quinn Fabray, who was really underused for much of the back nine episodes, but who’s shaping up to be one of the best characters on the show.

07. Fringe

Fringe has never received the attention it deserves, but people have really started to take notice with the show’s second season, which takes the ideas that started in season one and begins to really tell a whole, complete story with them. We now have a better idea of what’s going on, and it’s becoming a glorious piece of serialized storytelling. While most episodes of the season seem to be one-shots, the all in some way, be it narratively or emotionally, tie into the overall arc of the season and the show. While there’s a lot of big science going on, a lot of talk about universes collapsing which will all be even more important next season, I’m sure, at its heart Fringe is a show about family, both the ones we’re born with and the ones we make, and how far we’re willing to go to keep them safe.
Best Episode: White Tulip
While most people are calling this season’s Peter the series’ best episode (and it is pretty damn good), I found White Tulip more emotionally satisfying and important. And, you know, it deals with time travel. Which is awesome. And it has Peter Weller. The science of the episode is just cool, and while it may not fit into the scientific narrative, it’s extremely important to the emotional narrative, and helps us to understand even more where Walter is coming from, and why he’s done the things he’s done.

06. Mad Men

I keep waiting for Mad Men to fall apart. Shows aren’t supposed to be this good for this long. It’s going into its fourth season this month, and unless the writing staff drank a large keg of stupid over the winter, it looks like it’s going to be just as good as previous seasons. Mad Men is a slow build. Unlike shows like Glee and Community, whose storylines and character relationships can evolve and change a dramatic amount in just one episode, Mad Men has been slowly building the tension in its storylines throughout the season. And it works. The failing marriage between Don and Betty finally came to a head this season with Betty discovering her husband’s secrets and planning to divorce him. And the tension at the office finally broke with the season finale. Through all this, there were also bizarrely hilarious moments (oh, guy who lost his foot to a lawnmower, we hardly knew ye).
Best Episode: Shut the Door, Have a Seat
This season’s finale left more questions than any season finale before it, which is a good thing. The fate of pretty much every major character is left in question. And for the first time, there’s the possibility for completely new storylines. January Jones was passed over for an Emmy nod last year, but it would be a crime for that to happen this year. The scenes between Betty and Don were the most emotionally charged of the episode, and despite Jon Hamm’s amazing performance, that was all thanks for Jones.

05. Human Target

So this is easily the “one of these things is not like the other” of the list. Yeah, on the surface it looks like nothing more than a fun action series. And it is that. Every single episode offers wonderful action scenes where our charming hero gets to beat the bad guy, and make a quip while doing it. While the first few episodes weren’t much more than that, the show quickly became something more – a show about a haunted man and the things he’s haunted by. Past sins, lost love, and the way those thing tie together and effect the way he works. Add to that the ridiculously likable cast – Mark Valley, with just the right amount of charm and sadness; Chi McBride, hilarious as the high strung boss with a past of his own and a complete devotion to his business partner; and Jackie Earl Haley, easily the stand out, snarky all over the place, but with just as much devotion to Chance as anyone. It’s one hell of a fun show, with all kinds of potential. Thank god Fox was smart enough to pick it up for a second season.
Best Episode: Corner Man
While the storyline culminator Christopher Chance was an amazing season finale, the episode Corner Man is an example of the best parts of this show. While it’s a standalone episode, it still ties into Chance’s emotional conflict. It has an awesome bad guy, a hot lady (and a BSG alum as well, something this show likes), a lovably goofy client. It’s funny, it’s action is amazing, and the interaction between its three main cast members is perfect.

04. True Blood

So, yeah. Vampire are big now, thanks to crap like Twilight. But, let’s make sure one thing is clear. True Blood ain’t Twilight. For one thing, True Blood‘s vampires are actually vampires. They feed on humans, kill people, and have crazy sex. And, oh yeah, they don’t fucking sparkle. True Blood also lack the earnestness that Twilight has in abundance. And that’s a good thing. It recognizes the ridiculousness of its story and characters and relishes it. It’s camp, intentionally so. The second season wasn’t quite as intimate as the first, with two different storylines happening in two different cities, but the vampire mythology became more in depth and cohesive. And of course, there were the characters. This season had lots more Eric, who is easily the coolest and sexiest vampire on the show. Michelle Forbes popped up (as she does often in shows I enjoy) as the season’s real big bad, Eric’s maker Godric’s appearance was too brief, but still mesmerizing (and allowed for deeper insight into Eric), Evan Rachel Wood was delightfully crazy as the Vampire Queen of Luisiana, and Debrah Ann Woll extended her role as the newborn vampire Jessica. And then of course there was the teaming up of Jason and Andy. Season two provided great gore, amazing hilarity, and moments of startling emotional honesty.
Best Episode: I Will Rise Up
While the infiltration of the Fellowship of the Sun was the better of the season’s two storylines, it’s aftermath was even better (and no, not just because it had Sookie sucking on Eric’s chest, resulting in a really hot dream scene). The sibling relationship between Jason and Sookie was re-established and solidified, we got a nice look into the workings of the vampire PR machine, and we finally got to see deep into Eric’s heart, with the moving death scene of Godric. And things finally started happening in the Bon Temps set Marianne storyline. You know, besides Tara and Eggs acting crazy.

03. Justified

I was pretty sure I was going to at least like Justified. FX has been putting out a lot of quality television, and being based on Elmore Leonard character’s is a pretty good sign. I wasn’t really prepared for how much I love it, but I suspect the writers weren’t really prepared for the course the first season took. What started out as an insanely entertaining and funny show about a quiet cowboy who shoots people turned into an amazing study of the difference between right and wrong, an exploration about where we come from and how that shapes who we are, and, most importantly, a story of fathers and sons. Timothy Olyphant did award worthy work this season, but the real scene stealer was Walton Goggins, whose best work of the series is, unfortunately, not eligible for Emmy consideration due to air dates. Goggins made Boyd Crowder develop believably from the worst of the worst to sympathetic, confused, and sympathetic Woobie. The most fascinating part of the show quickly became the relationship between Boyd and Raylan, the antagonism and camaraderie that exists between them.
Best Episode: Bulletville
It really sucks that the season finale Bulletville is ineligible for Emmy consideration this year due to its airdate, because it was easily the best finale of the season. First of all, with a body count of about 16, it appeals to one of the things that drew me to the show in the first place. It was tense and violent in the best possible way. But, most importantly, it was about the relationships that became the centerpiece of the series, those between the boys – Raylan and Boyd – and their fathers – Arlo and Bo. And, of course, the relationship between Raylan and Boyd. We also finally get an answer to the question of whether or not Boyd’s conversion is genuine, and the conclusion is heartbreaking. The final ten minutes of the episode are just amazing, and the final moment is perfect.

02. Community

I’m willing to admit when I’m wrong, and I was wrong about Community. After watching the first two episode I was unimpressed, thinking that it tried too hard. Then, several weeks later, I caught up with the rest of the episodes when I was home sick one day, and discovered that the more it went on, the better it got, and it really didn’t take long to become the best comedy on television. It’s a very self aware show, which is one of its greatest strengths. Not just because of the meta humor that provides, but because it allows the writers to be hyper aware of the viewers and what they think, and lets them tweak and play with characters and storylines accordingly. Thankfully, it strikes the perfect balance between fan service and doing its own thing. Its most valuable asset is easily it cast, who have tremendous chemistry together, so that every character can interact with every other character in their own storylines and nothing is lost.
Best Episode: Romantic Expressionism
Modern Warfare is probably the flat out funniest (and most ambitious) episode. And as a Jeff/Annie fangirl, I might lean a bit toward Debate or even the finale Pascals Triangle Revisited (which plays better on rewatch). But I think Romantic Expressionism is the the best example at all the wonderful things Community can be. It has two hilarious storylines (Pierce trying to be funny at Troy and Abed’s movie night, and Jeff and Britta meddling in Annie’s relationship with Vaughn), amazing group dynamic, awesome meta humor (the EPIC sexual prospects stare down), and, yes, a Jeff/Annie moment that’s pretty epic in its own right. And, you know, an incredibly random and amazing line. (“Thanks for eating all the macaroni!” “Shut up, Leonard, nobody even knows what you’re talking about!…… I did eat all the macaroni. It’s messed up that he knows.”) This was also the episode when I completely fell in love with Britta and her glorious dorkiness.

01. Lost

I won’t lie, the fact that this was the last season certainly figured into Lost being placed at the top of the list. But I really did love the season. I actually really liked the flashsideways and its resolution. I wasn’t bothered by not getting the answers to every single question (because I never thought we would. We got the most important answers, that’s what counts.) The show, for me, has always been about the characters and their journey, and I’m just really happy that the writers chose to focus on that. There were some excellent mythology based episodes, but as the series wound down and came to an end, the moments that have stuck with me most have been the ones about the characters: the reunions and the laughs and the deaths and choices made. Lost has always been one of the most emotionally involving shows for me, and its ending didn’t disappoint.
Best Episode: The End
Is there even any question? Yeah, the long awaited Ab Aeterno was awesome, and The Candidate was absolutely amazing, but the series finale was the show’s most emotional episode by far. Like I’ve already said, I was completely emotionally satisfied by the ending, and I’m really glad that they were able to make it a relatively happy ending. This episode produced scenes that I will never forget, not the least of which is Jack’s beautiful death scene, his eye closing, signaling the end. But there was also the reunion of my favorite ship of the show, Charlie and Claire, which is probably my favorite moment of the entire series.

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